1865 – Antwerp – 1936
Belgian Painter
Acacia Dealbata Mimosa
Frans Mortelmans was a versatile Belgian artist known for his diverse range of paintings, including still lifes, floral compositions, fruit arrangements, landscapes, house interiors, marine views, beach scenes, and portraits. As an accomplished aquarellist and pastellist, Mortelmans excelled across various artistic mediums. Born on May 1, 1865, in Antwerp, he was the elder brother of Lodewijk Mortelmans (1868-1952), a renowned Flemish composer-conductor, showcasing the family’s artistic prowess.
Frans spent his early years in the bustling Saint Paul’s parish neighborhood of Antwerp, where his artistic journey began. He received his education at the Fine Arts Academy of Antwerp, studying under a host of prominent mentors including Edward Dujardin, J.E. Van den Bussche, P. Beaufaux, E. Siberdt, J. Geefs, Albrecht De Vriendt, Karel Verlat, and notably, Lucas Schaefels. He began his studies at a young age in 1876, forming close bonds with fellow students such as Charles Mertens, Jozef Van Leemputten, Everaard Chappel, Henry Luyten, Josef Dore, Jan Rosier, Evert Larock, Jozef Ratinckx, Piet Van Engelen, and Arthur Pierre.
Continuing his artistic education, Mortelmans attended the Higher Institute of Fine Arts in Antwerp, where he studied under Juliaan De Vriendt and Frans van Leemputten. This advanced training helped refine his skills, positioning him among the leading artists of his time.
Mortelmans actively promoted his art through participation in numerous exhibitions, both solo and group, which helped him gain recognition. Among the most notable were the prestigious Triennial Salons of Ghent, Antwerp, and Brussels. He also held solo exhibitions at prominent galleries such as Verlat, Lamorinière, and Wijnen in Antwerp. In addition, he participated in group exhibitions organized by cultural associations in Antwerp, including Arte et Labore and De Scalden, as well as art associations in Mechelen, De Hulst, and De Distel (1906-1907). The cultural association De Scalden, founded in 1889 by sculptor-engraver Jules Baetes, played a significant role in Mortelmans’ life, fostering artistic renewal and diversification.
In 1910, Mortelmans was appointed as a professor of still-life painting at the Art Academy in Antwerp, influencing a new generation of artists. Among his notable students were Antoon Marstboom, Franck Mortelmans, and Joris Minne. As a teacher, Mortelmans imparted his refined techniques and artistic philosophy, leaving an enduring impact on his pupils.
Mortelmans’ early works were characterized by tightly arranged objects painted in a precise and somewhat rigid style. However, over time, his art evolved to display great virtuosity and elegance, characterized by a rich but balanced palette that avoided overwhelming the canvas. His works, often decorative in nature, reflected his constant pursuit of harmony. Since 1892, working in his private studio, Mortelmans predominantly painted in a realistic style, gradually incorporating impressionistic elements that added a fresh dimension to his compositions.
Mortelmans’ mastery of still life painting firmly established him within the vigorous artistic tradition of Antwerp. His notable contemporaries included artists such as Willem Linnig Jr., Lucas Schaefels, and his pupil Jozef Van de Roye, as well as Eugeen Joors, Edouard Chappel, Hendrik De Braekeleer, and Marie-Antoinette Marcotte, a French painter who lived in Antwerp. Together, they enriched the city’s artistic heritage.
Frans Mortelmans passed away on April 11, 1936, in his beloved city of Antwerp. His legacy, however, endures through his vibrant and evocative artworks.
Today, Mortelmans’ works can be found in private collections worldwide, reflecting the enduring appeal of his artistic vision. His paintings are also housed in several prestigious museums, including the Royal Museum of Fine Arts in Antwerp, the Antwerp Town Hall, the Museum of Flemish Cultural Life, the Museum Mu-Zee in Ostend, the Museum of Kortrijk, the Hof van Busleiden Museum in Mechelen, and the Joslyn Art Museum in Omaha, USA. Mortelmans’ contributions to the art world continue to be celebrated, securing his place as a distinguished figure in Belgian art history.
