Boy and Donkey

Robert Boudry was a notable Belgian artist born on March 11, 1878, in Ypres, Belgium. He emerged from a lineage of artists, being the son of the renowned painter Aloïs Boudry and later becoming the father of Paul Boudry, also an artist. His artistic journey was profoundly shaped by his studies at the Royal Academy of Fine Arts in Antwerp, where he trained under prominent artists such as Eugène Joors, Piet Verhaert, Frans Van Leemputten, and Albert De Vriendt. In addition to painting, Boudry also pursued studies in architecture, which likely influenced the structural elements in his compositions.

Boudry’s career was marked by a deep connection to his Flemish roots and the places he lived and visited. During World War I, he spent time in England, but by 1939, he had settled in Berchem, near Antwerp. His works are celebrated for their depiction of old Antwerp’s quaint corners, picturesque alleys, courtyards, and the interplay of light on whitewashed facades. He was also inspired by the scenic beauty of other Belgian cities like Mechelen, Ghent, and Kortrijk, and his annual stays in Oostduinkerke led to a series of marine and fishing scenes that further showcased his versatility.

Boudry had a profound appreciation for the play of light and color, which became a defining feature of his work. Critics of his time lauded his ability to capture the “poetry” of his subjects with every stroke of his brush. His style evolved over the years, with his palette becoming purer and his brushwork lighter and more translucent, particularly evident in his still lifes.

In addition to his visual art, Boudry was also a writer, composing novellas in his native West Flemish. His artistic contributions were recognized through various exhibitions, including the “Exposition des Beaux-Arts” in Spa in 1914 and a notable exhibition at the Wines Hall in Antwerp in 1933. His works, such as “Cows in the Meadow” and “Stuck Sloop,” were also auctioned at the G. Giroux gallery in Brussels in 1946.

Robert Boudry passed away in Berchem in 1961, leaving behind a legacy that continues to be celebrated in Belgian art history. His works are remembered for their sensitive portrayal of light, atmosphere, and the intimate charm of Flemish life.